in superman adventures #19, thereās a villain named multi-face who can convincinglyĀ disguise himself as anyone, even tricking dnaĀ tests and x-ray vision. Superman initially canāt stop him
and the only reason he gets caught is because multiface decides to disguise himself as, of all people, CLARK KENTĀ iām screaming
Answer all these questions and you should have a fully-developed character for your audience to connect with. A strong character can carry a weak plot; but a strong plot canāt carry weak characters
After spending a week with the 6.25āx10ā Monoprice, my Yiynova and Cintiq remain unplugged and I gave my Intuos away to a friend. The Monoprice tracks subtle pressure variances and small movements with less lag and more crisp fidelity than any of the others. It is, put crudely, fucking awesome, in both OSX Lion and Windows 7 x64.
I have one of these, 10×6.5 I bought about two months ago for 48 bucks. Itās a billion times better than my old Wacom Bamboo and works like a fuckin dream.
ATTENTION ALL PENNY-PINCHING ART FRIENDS!!!
ooo reblogging this for potential future purchase
oh
Iām definitely thinking of getting one of these, or asking for one for Christmas. āCause as much as I appreciate Ian giving me his old tablet, I think the pen might be on itās last legs. ;~;
Oh my god these start at $25 for a little one.
I would be so okay with a little one.
Reblogging this again because I fucking lost it and donāt want to forget it again.
I mentioned on twitter that I wanted to do a lip sync tutorial and immediately got some people who were interested so I put one together real quick!
Iām going to use a bit of unfinished lip sync from my taz animated part as reference. Theyāre just gifs so no sound, but you should still be able to tell that heās saying āIād say a solid B⦠Solid B minus.ā
Anyone whoās looked up how to do lip sync has seen phoneme charts. Phonemes are just the shape your mouth makes when you make certain sounds.
When you do lip sync, you want some kind of reference to make sure itās right
Whatās easiest is to say it yourself and pay attention to the shapes your mouth is making. Since youāre going frame by frame, your audio is slow enough that you can make each shape slowly and distinctly and you can get each individual phoneme down in the animation.
Donāt do this.^
An easy way to tell if youāre animating lip sync wrong is if you run out of frames to make each shape. You donāt need them! Making each shape is unnatural. People talk quickly and the mouth doesnāt have the time to get into each shape. They blend together, sometimes to the point where the shape doesnāt change at all!
Not only does the 2nd gif take less frames and energy to make, itās more relaxed, it looks less distracting, and his lips are much easier to read!
These are reference charts to show the differences more clearly
This is the difference between getting swallowed up in every last detail and paying attention to reality.
What matters more than hitting every syllable is making it look natural and flow with the acting. Thatās why anime mouth flaps can work so well. A strong pose through the whole body matters more than one mouth shape.
I waddle onto tumblr and place this upon a chair, slowly backing away while staring everyone individually in the eye. This took 5 months. Please enjoy.